Posted: January 27th, 2010 | Author: Yanda | Filed under: Graphic, Identity | No Comments »
Brand identity and marketing materials for Counter-Print.co.uk, an e-commerce site which promotes and sells vintage art, architecture and design related material.
New Creative is a new, multi-disciplinary design studio with a global client base from a wide range of sectors and an intelligent, creative and individual approach to design across a variety of applications, from books, brochures, magazines and promotional literature, to packaging, signage, websites and corporate identity systems.
http://counter-print.co.uk
http://new-creative.co.uk
via http://www.septemberindustry.co.uk/?p=3200
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Posted: January 4th, 2010 | Author: Yanda | Filed under: Graphic, Identity | No Comments »
Symbol Cafe is a typical Hong Kong cafe located at the upper floor of an old residential building in Hong Kong. We created the new shop image by using vintage doors, tiles and wallpaper to give a touch of Hong Kong’s historical structures in the past century. The numerical shown on the “Symbol” logotype represents different centuries with a sense of the old Hong Kong nostalgic style.
http://www.cplusc-workshop.com
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Posted: December 21st, 2009 | Author: Yanda | Filed under: Graphic, Identity | No Comments »
Logo and visual identity for the United Nations Climate Change Conference 2009.
The logo symbolises the blue planet. A network of lines – one for each nation in the UN – make up a complex structure heading towards unrest or balance.
http://www.nr2154.com/2207/index.html
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Posted: November 9th, 2009 | Author: Yanda | Filed under: Graphic, Identity | No Comments »
“The dot triggers a philosophical discussion. City Opera is a bare-bones operation that produces spare versions of a luxury product. In theory, that could make it the ideal cultural entity for this lean age: What better way to forget about your troubles than to watch people sing about worse ones? ‘Luxury needs to engage ideas,’ Sellers of 2×4 says. ‘Opera deals with darkness and schizophrenia, and in a time when we’ve been so deluded, that directness is reassuring.’ She stops talking. The black dot sits ominously on the table, and for a moment no one speaks. Finally, Steel smiles, and the room relaxes. ‘I love the graphic strength,’ he says. ‘I love it. We have a swell season, and we want it to be, Bam! Bam! This is what we’re doing: You got a problem with that?’”
- New York Magazine, March 2009
http://2×4.org
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